Soulmate Gem
Photo: Alex Green
The Sweet Sixteen is meant to be a coming-of-age affair, in which a girl's extended family and friends gather to mark her new maturity. Different cultures recognize this rite of passage in different iterations, the most notable being the quinceañera, a Latin American tradition for 15-year-old girls.
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Read More »Like the princesses I loved when I was younger, debs revel in elegance and beauty, but their identity ends there—as a cookie-cutter image of the marriageable woman. As Karal Ann Marling wrote in her 2004 book, Debutante: Rites and Regalia of American Debdom: “The debutante’s dream is a potent elixir—a dream of being almost royalty, a paragon of good taste and elegance…. A collective family dream in which the pretty daughter is both proof of good breeding and a bid to improve the stock through grafting.” Back in 1938, when a debutante named Brenda Frazier appeared on the cover of Life, she couldn’t see past her regalia to the person inside. “I don’t deserve all this,” she later remembered thinking. “I haven’t done anything at all.” Today’s Sweet Sixteener isn’t an exact replica of the debutante, but she reflects the same narrow view of womanhood. The age itself means something different for girls than for boys—if not marriageability nowadays, then at least sexual readiness. In the history of popular music, “sixteen” as shorthand for nubile and willing is everywhere from Chuck Berry to Billy Idol. More recently, Hilary Duff’s “Sweet Sixteen” is about “spreading her wings” and growing up, though the age would be irrelevant if the song were targeted at teenage boys. And if 16 is still a noteworthy age for girls, it’s for pretty ambiguous reasons. The Sweet Sixteener isn’t the Jewish girl who spends years memorizing scripture for her bat mitzvah. She’s not even the scrawny American boy who joins the football team to bulk up. Of course, other adolescent rites of passage have their flaws—modern bat mitzvahs can be incredibly lavish, and team sports enforce their own narrow view of masculinity—but at least their participants do something. The Sweet Sixteener isn’t given that dignity. Like Brenda Frazier, she doesn’t have to do anything at all. And the traditions that may accompany the party remind her of just that: Some Sweet Sixteens include a shoe ceremony, where the girl’s father replaces the flat she’s wearing with a high heel, or a tiara ceremony, where the mother crowns her in a symbolic passing of the womanly torch. These traditions may seem like a harmless way for a family to celebrate a daughter, but their trademark pageantry and passivity completely miss the point. Maturity isn’t about marriage anymore; it’s not about wearing makeup and attracting a nice boy who plays football and wants to be a doctor. It’s about stepping out of a sheltered teenage world and acknowledging something larger than yourself.
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Read More »Other girls take the opposite angle, denying that their party is a ritual at all. Their families may have a lot of money, but no stake in the party’s traditions, so they ditch the rituals and the speeches for a catering service and a DJ for a blowout birthday party. There are even a few “anti” Sweet Sixteens: birthday parties where girls request charity donations instead of presents. But most Sweet Sixteens fall into a more ambiguous category: They’re not billed as coming-of-age affairs, but the formal dress, speeches, and other traditions suggest otherwise. Many of my friends went along with the ceremony but hadn’t given much thought to its meaning. “Because my family had done them for so many years, it was just a normal thing to do,” one classmate told me. “I never questioned why.” She didn’t think that her party was any sort of rite of passage, but she didn’t deny her family’s expectations for it. Her mom bought her a taffeta dress and her dad gave a lengthy speech about what a beautiful young woman she was becoming. The more she thought about all this, the more reflective she became. “The fact that all I had to do was look pretty didn’t really cross my mind,” she said. “But now that I think about it, it is kind of weird. It’s like my parents were saying, ‘Here’s my daughter, she’s accomplished so many things and she’s 16 years of age.’ But you wouldn’t do that with your son. You’re just dolling up your daughter and showing off how pretty she is to your friends.” Any good 21st-century feminist will tell you that there is no right way for girls to act. Doctrinaire academics have as little right to tell teenagers what to wear as traditionalist families do, so if a 16-year-old girl wants to wear a princess dress, that’s her right. But too often the situation is less clear-cut: The Sweet Sixteener may be enthusiastic about having a party, but the context—i.e., the traditions and aesthetic—is more socially imposed. Gender parity hasn’t reached a point where patriarchal symbols are no longer dangerous. Maybe one day, in a distant future where the word “postfeminist” actually means something, boys will regularly have Sweet Sixteens, daintiness won’t be a necessity, and the symbols won’t be symbols anymore. But for now the tradition is unjustifiably fraught. The Sweet Sixteen is just dressing up an old gender role in a new gown, crowning it with a tiara that means the same thing it did 50 years ago.
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